Hello Education bloggers, I hope you are
all keeping well! As I said in my first blog post, today’s discussion is going
to be about something that seems so simple, but is sometimes difficult to
include within a classroom environment to keep the children engaged throughout,
creativity.
So, what is creativity? How would you
describe it? “Few of us can imagine treading in the footsteps of Picasso or
Mozart” Starko (2017, no pg.) who are on different ends of the creativity scale
with regards to what they did; “Pablo Picasso is the most widely known painter
today” Penrose (1981, pg.1) therefore focusing on the creative arts side of the
curriculum. Children are sometimes asked to imitate his work, by looking deeply
into his paintings, which is an obvious method of using creativity within a
classroom. Similarly, Mozart is focused on music within a classroom and links
in with the creative arts aspect to engage children in different ways. Piaget “believed
that during the pre-operational learning stage (ages 2-7), children begin to
react symbols…this is perfect for starting the process of learning music” cited
in Fox & Barden & Surnami & Lancaster & Kowalchyk (2004, pg.5).
This is a good example of how creativity can be incorporated into a classroom
to see how children react to the sound, because it will show how attentive they
are to their surroundings by using their senses.
Although children should be creative with
their childhood, the influences of their teachers and parents play a huge role
to encourage them. In our lecture, we looked a couple of examples of how teachers
can be creative with their students; doing hands on activities rather than just
copying from a whiteboard. As well as hands on activities, “a creative teacher
is passionate and interested in what children have to say” Copping (2016, no
pg.), and is an easy way to show creativity in the classroom as well as a good
form of communication between a teacher and pupil. Additionally, this is an
example of empowerment because pupils can give a voice on their interpretation
of some topics, and teachers will then have an indication of where their
students are at with their work.
Could we imagine a classroom without
creativity? Where children have no right to play and have no right to share
their creative minds with their peers. Sometimes, “our education system often
seems to push creativity out of the curriculum, increasing the emphasis on
literacy and numeracy” The Guardian (2016), because it could lead to stress on
the teacher’s if they are more focused on creativity within a classroom rather
than the academic purpose of education. As the curriculum becomes harder and
harder, it is difficult for teachers to find the time to give something that it
is sometimes seen as a luxury.
However, the article from The Guardian (2016)
goes on to highlight that “an Oxford student found as technology races ahead,
low-skilled workers become more susceptible…47% of current jobs at risk…schools
will have to increase their creative and social skills”, meaning that creativity
is a necessity at this stage to help pupils figure out their future, so they
open up their imaginations of how they want to progress. Donaldson (2015) supports
this study as he stated that “creative contributors and ready to play a full
park in life and work” is one of the key purposes to develop children and young
people. The idea of pushing out creativity may have been something that was
considered beforehand, but realised that this feature is what guides children
through their lives to open the up to society.
So, that is all for today’s blog guys but
before you go, I want you to think about something; do you think being creative
in a classroom helps children and young people for their future jobs? I want
you think about whether you need to have that creative skill for all jobs, or
just some. Also, take into consideration the evolvement of technology and how
that helps workers to progress further. Donaldson (2015) thinks that “good
teaching and learning will employ approaches including those that promote
problem solving, creative and critical thinking” and from this, I believe that
most of the skills mentioned by Donaldson are used in a workplace, and being
creative can prepare children and young people for their futures but, it all
depends on the job they decide to go for. An article from the Independent (2016)
state that “the onus is now not just on academic achievement, but instead showing
how well-rounded an individual is and how they integrate with the company
culture” therefore implying that it isn’t all about getting that academic
qualification, you must also have a range of skills to help provide the best
outcome in the workplace. However, as this source is an article, it is liberal
bias; meaning that it has the view of trying to prepare young people for the
future, so they have an idea of what society is like today.
Thank you for reading, I look forward to
reading your thoughts and comments! See you in the next blog!
References:
-
Copping. A (2016) ‘Being Creative in Primary English’,
India, no pg.
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Donaldson (2015) ‘Initial
Highlights of the Donaldson Report’
-
Fox & Barden & Surnami
& Lancaster & Kowalchyk (2004) ‘Alfred's
Classroom Music for Little Mozarts 1’, pg.5
-
Penrose. R (1981) ‘’Picasso: His Life and Work’, Berkeley
and Los Angeles, pg. 1
-
Starko. A J (2017) ‘Creativity in the Classroom: Schools of
Curious Delight’, Eastern Michigan, no pg., Chapter 1
-
The Guardian (2016) ‘Why pushing creativity out of classrooms
will stop children succeeding in the 21st century’, 16th
November, Available at: https://www.theguardian.com/stage/2016/nov/17/why-pushing-creativity-out-of-classrooms-will-stop-children-succeeding-in-the-21st-century
(Accessed: 10/11/17)
-
The Independent (2016) ‘Creative
and arts graduates have the soft skills needed to make them ‘work ready’’,
22 June, Available at: http://www.independent.co.uk/student/career-planning/creative-arts-graduates-soft-skills-graduate-employment-university-subjects-work-ready-a7095311.html (Accessed: 10/11/17)
I believe that not all jobs require people to be creative, for example, a production line job which is repetitive and does not allow scope for creative thinking. However, I feel that being creative regardless of what job you have will benefit individuals greatly. For example, the person working in the production line could be creative by thinking of a new method or strategy to improve productivity. This is not within their job description but will make them stand out which is vital within today’s society, therefore it is essential we explore all areas of children’s creative talents which as you mentioned, could be musically like Mozart or thinking of new solutions to solve problems (Westfall, 2007).
ReplyDeleteReferences
Westfall, C. (2007) standing out in a highly competitive job market, Physician executive, 33(1), pp.32-36.
I do agree that all jobs don't require that creative skill, but including this factor in a classroom gives children the opportunity to be free and ambitious into what they want to do in the future. Kaufman & Sternberg (2010) state that 'establishing a common curricular goal of developing the creative competence of children is one way to help prepare students for an uncertain future', therefore implying teachers should bare this in mind when planning lessons because although children are still too young to think about their futures, they need to keep their options open.
ReplyDeleteReferences
- Kaufman & Sternberg (2010) 'The Cambridge Handbook of Creativity', New York, pg. 447